Bram
Stoker's Dracula
USA
1992, Color, 110 min |
|
|
|
Director |
Francis Ford Coppola |
Screenplay |
James
V. Hart |
Based
on the novel by |
Bram
Stoker |
Photography |
Michael
Ballhaus |
Music |
Wojciech
Kilar |
|
|
Gary
Oldman |
Prince
Vlad Dracula |
Winona
Ryder |
Mina
Murray/Elisabeta |
Anthony
Hopkins |
Prof
Abraham Van Helsing / Ships Captain / Cesare |
Keanu
Reeves |
Jonathan
Harker |
Richard
E. Grant |
Dr.
Jack Seward |
Cary
Elwes |
Lord
Arthur Holmwood |
Bill
Campbell |
Quincey
P. Morris |
Sadie
Frost |
Lucy
Westenra |
Tom
Waits |
R.M.
Renfield |
In
1492 Vlad, the impaler, better known under the name of Dracula marches
into war against theTurkish. He returns victoriously, but in the
meantime his wife, thinking he was dead, committed suicide. He invokes
to the forces of darkness to get her back. Four centuries later
he meets Mina, the reincarnation of the love he lost.
The
hitherto last film version of the classic novel by Stoker
is at the same time the greatest and most impressive one since Murnaus
"Nosferatu" from 1922. Nobody ever stuck that much to
the novel as did Francis Ford Coppola what he already lets us know
in the title: "Bram Stoker's Dracula" it says. And what
a fantastic film the master director serves us here: Cameraman Michael
Ballhaus captures an ecstasy of images, that can hardly been surpassed,
there's the greatest stars of the 90s, even in smaller roles: Keanu
Reeves (for once he even does his job quite well), Winona Ryder,
Tom Waits in brilliant scenes as Renfield, Gary Oldman as an impressive
Count Dracula and Anthony Hopkins as Van Helsing, giving this role
some new aspects. This film offers everything fans of the genres
appreciate and was surely able to win over new Dracula fans. It
was when watching "Bram Stoker's Dracula" that a whole
new generations of vampire fans found access to the well-known story.
A
new aspect that was added here was put into the introduction: young
Prince Vlad of the order of the dragon successfully defends Transsylvania
against the Turkish supremacy and impales his enemies (historical
reference to Vlad Tepes). But the
defeated Turks send his bride a message of Vlad's death and desperately
she jumps from the tower of the castle. Vlad, mad of sadness and
rage rams his sword, the blood of his enemies still sticking to
it, into the crucifix of his castle's chapel and curses god. From
now on blood is to be his elixir of life.
The
rest of the story is well known. Beginning with Harker's uncanny
journey to Transsylvania and ending with the death of the Count,
that has never been realized more dramatically before. Oldman's
Dracula is a loving, tragic vampire, who recognized his deceased
love Elisabetha in Harkers wife Mina. The sympathy of the spectators
is with him, the latest in the scene of his death. It's this drama
that makes Coppolas work one of the most beautiful movies of the
90s. He shows us a love story that makes us think of Romeo and Juliet,
two lovers that should not find each other.
Now
this is great cinema. Horror, Action, Love, Drama and of course
literature. With Coppolas film the circle of Dracula film-versions,
beginning with Murnau, ending here, finds its completion. Impressive
- the first as well as the last one.
|